日本名門酒会

Japan Prestige Sake Association

What is Sake?

Sake is known for 2,000 years of unique Japanese traditional and culture.To understand the process of making sake, it helps to know that sake is brewed from water, rice, and yeast.

JAPAN is home of about 2,000 sake breweries or kuramoto (The president of a brewery) and each one prides itself on the distinct local character of it's sake.

History

Sake is the traditional rice wine of Japan. It comes in several different varieties, and was first made at least 2,000 years ago. Since then, sake has played an important role in Japanese culture and history. From its origins as the "drink of the Gods" to its current status as the popular drink in Japan, the history of sake is steeped in tradition, innovation, and custom.

Production of Sake

Production of Sake

Sake - though long shrouded in misconception, veiled by language, and isolated by island geography - is one of the most refined, interesting, and enjoyable beverages in the world. In its finer manifestations, it is as fascinating in flavor, fragrance, and history as any wine, spirit, or beer. But before getting into that, it is important to address the question of just what sake is, and how it is made. The process could be simply divided in seven steps.

1.Rice Polishing (Seimai)

Good sake rice differs from rice eaten at meals in many ways. An important difference is the concentration of starches in the center of the grain of proper sake rice. Surrounding that starchy center are fats, proteins, and minerals that are generally detrimental to the sake-brewing process.

2. Washing and Soaking (Senmai and Shinseki)

After the rice has been polished to the designated degree, it is washed (senmai) to remove the nuka, the talk-like powder still clinging to it from the polishing process. It is then soaked in water (Shinseki) to prepare it for the steaming process.

3. Steaming (Mushimai or Jomai)

The condition of the rice after it has been steamed- how firm or mushy it is, for example- affects every brewing step on down the line. After the rice has been steamed, it is cooled by spreading it out on large pieces of cloth in the cool kura air, or by running it through a machine that breaks up the clumps and cools it down quickly.

4. Koji Production (Seikiku, or Koji-zukuri)

Koji is steamed white rice onto which a mold, called koji-kin (koji-mold), has been cultivated. Koji production is the heart of the sake-brewing process.

5. Yeast Starter (Moto or Shubo)

Koji, regular steamed rice, and water are mixed in a small vat, and to this is added a culture of pure yeast cells. Usually a small amount of lactic acid, to protect the fledgling yeast cells from ill-intentioned bacteria floating in the air, is added as well. Over a two-to three-week period, the koji breaks down the starches to provide food for the yeast cells, which multiply rapidly until the mixture is ready to heave increasingly larger amounts of rice, koji, and water added to it.

6. Moromi and Sandan Shikomi

The moto (yeast starter) is transferred to a larger vat, where rice, koji, and water are added, typically three times. From this point the mash is known as the moromi. These three additions of rice, water, and koji that is a method known as sandan shikomi (three-step brewing) are done over a four-day period.
After all the rice, water, and koji have been added, the moromi its and ferments anywhere from eighteen to thirty-two days.

7. Pressing (Joso)

At this point, the moromi is ready to be pressed through a mesh that will separate the newly born sake from the solid remains of the fermented rice, which is known as kasu.

Categories of Sake

Sake is not categorized by rice varieties. Rather, it is first categorized by milling rates of polished brewing rice and then further classified by the ingredients of the sake under name such as junmai (純米) and honjozo (本醸造).

The most important thing to remember is if the sake is made of just rice and water, it is distinguished by the term junmai. Sake brewers also add a bit of distilled alcohol to some types of sake to bring out different flavors, aromas, and textures, and this creates a new category called honjozo for these alcohol-added sakes. But to confuse you a bit more, the term junmai also historically means sake that has been milled at least 30 percent with 70 percent of each grain remaining.

Categories Japanese Added alcohol Rice milling rate
Junmai 純米 none typically up to 70%
Junmai Ginjyo 純米吟醸 none up to 60%
Junmai Dai-ginjyo 純米大吟醸 none up to 50%
Honjozo 本醸造 up to 10% up to 70%
Ginjyo 吟醸 up to 10% up to 60%
Dai-ginjyo 大吟醸 up to 10% up to 50%
Futsu 普通 up to 10% ---

Futsu-shu, 普通酒

It means “ordinary sake," and refers to average, run-of-the-mill, “table sake." This type of sake makes up about 75 percent of all sake on the market, and while much of this is cheap, bland, and hangover inducing, there are many perfectly drinkable futsu-shu sake available.

Junmai-shu, 純米酒

It is pure rice sake: nothing is used in its production except rice, water, and koji-kin, that magical mold that converts the starch in the rice into fermentable sugars. Junmaishu is generally a bit heavier and fuller in flavor than other types of sake, and often the acidity is a bit higher. More solidly built, assertive sake like typical junmaishu is easier to match with meals that much lighter sake. It is not necessarily, however, what everyone prefers.

Ginjo-shu, 吟醸酒

It is, more than just a separate classification, is a separate world. Essentially a ginjosu-designated sake is one for which the rice used in brewing has a seimaibuai (rice polishing rate) of at least 60 percent, which again means that no more than 60 percent of the original size of the grains remains after milling. This, however, is simply the minimum requirement for sake to have the word ginjo-shu on the label. Within the classification of ginjo-shu there is the subclass dai-ginjo-shu. For dai-ginjo-shu, the seimaibuai is a minukum of 50 percemt.

Honjozo-shu, 本醸造酒

It is sake to which a very small amount of pure distilled alcohol has been added. Adding a small amount of alcohol to premium sake like that is not just a matter of increasing yields; there are sound technical reasons for doing it. First of all, it can lighten the flavor, making sake a it more drinkable, in the opinion of many. Also, adding a bit of alcohol at that precise stage tends to pull out more fragrant and flavorful components.

Other Type of Sake

Nigori-sake, 濁り酒

Nigori is a sake that has been purposely left unfiltered and has the less or rice polishings left in the bottle. Typically, the sake looks foggy or cloudy. It is also called unfiltered sake or cloudy sake.

Gen-shu, 原酒

It is sake that has been purposely left undiluted with no extra water added to bring the alcohol level down from its natural fermentation percentage of between 18 and 20 percent. Gen-shu typically has an alcohol content between 14 and 16 percent that is higher than common sake.

Nama-zake, 生酒

It is sake that is not heated during the brewing process. This helps preserve the fragrance and flavor of the sake, but results in sake that spoils more easily. If possible, Namasake should be drunk as soon as possible after brewing.It is referred to as “living" sake. Sake is usually pasteurized twice.

Taru-zake, 樽酒

It is sake that has been stored or aged for some time in a cedar cask called a taru, and therefore takes on a relatively strong flavor imparted by the wood.

Ko-syu, 古酒

It is aged sake. This term does not have an overly strict definition, and will vary from kura to kura, although it generally refers to sake aged at least three years.

Kimoto, 生酛

It is raw “moto (Yeast mash used to ferment the sake. Also called Shubo)" that has passed down for generations. It is used to contrast with scientifically produced moto. The process of creating kimoto takes nearly a month to complete, but allows for the creation of truly traditional sake.

Regions

The Japanese archipelago stretches far from north to south, so it is only natural that each region has its own climate and cuisine. The raw materials used to make sake, mainly rice and kobo yeast, also differ somewhat by region, so the character of the sake served with the local cuisine is somewhat different, as well. Here is the infographic of Japanese region map.

Hokkaido and Tohoku Area

Hokkaido, Aomori, Akita, Iwate, Yamagata, Miyagi, Fukushima prefectures

Kanto and Koshinetsu Area

Niigata, Nagano, Gunma, Tochigi, Ibaraki, Chiba, Saitama, Tokyo, Kanagawa, and Yamanashi prefectures

Hokuriku and Tokai Area

Toyama, Ishikawa, Fukui, Gifu, Aichi, Shizuoka, and Mie prefectures

Kinki and Chugoku Area

Shiga, Hyogo, Nara, Kyoto, Osaka, Wakayama, Tottori, Okayama, Hiroshima, Shimane, and Yamaguchi prefectures

Shikoku and Kyushu Area

Kagawa, Tokushima, Kochi, Ehime, Oita, Fukuoka, Saga, Nagasaki, Kumamoto, Miyazaki, Kagoshima, and Okinawa prefectures

Hokkaido and Tohoku Area

The northern island of Hokkaido is cool in summer and cold in winter, so sake matures more slowly there. This generally makes for a smoother texture and a lighter taste.
Full-bodied, velvety sake is prominent in this region from Aomori Prefecture to northern Yamagata Prefecture. Akita Prefecture is the biggest producer in the Tohoku region.

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Kanto and Koshinetsu Area

Greater Tokyo, home to millions of discerning consumers, occupies a large part of the Kanto region, and much of the sake brewed here has a refreshing personality. Ibaraki has more sake breweries than any other prefecture in the region.
Niigata Prefecture is known for its refined, dry sake, and is the third largest center of production in Japan. Mountain ranges cut Nagano Prefecture off from the rest of the country, and the “Japan Alps yeast" produced here gives a distinctively fragrant character to Nagano sake. Sake from Yamanashi Prefecture is known for its pleasantly unassuming flavor.

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Hokuriku and Tokai Area

Each prefecture in this region produces its own distinctive sake: Ishikawa’s is mellower, Toyama’s favors refinement, while Fukui’s tends more toward a smooth, velvety finish. The rich culinary culture of the old castle town of Kanazawa, which was the center of the bountiful rice-growing feudal province of Kaga, has retained its traditions since the Edo period (1603-1867).
Shizuoka Prefecture is the best-known center of production in the Tokai region, and much of the sake brewed there is of the ginjo-shu type with a fruity flavor. The other three prefectures in the region produce sake with a pronounced, slightly sweet flavor. Sake from Aichi Prefecture has a mellow character.

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Kinki and Chugoku Area

Hyogo Prefecture is the largest center of production that is one of the best in Japan. The premium miya-mizu water used in the Nada district is somewhat hard, yielding crisp, strong sake. On the other hand, the soft water used in the Fushimi district of Kyoto Prefecture, Japan’s second most important center of production, results in a velvety, high-quality sake. Osaka has been famous for its sake since the 1600s, and many breweries there still pride themselves on following traditional methods.
Hiroshima Prefecture produces sweet sake with a mellow character. The Omachi variety of rice grown in Okayama Prefecture is considered as good for making sake as Yamada Nishiki. It yields a more robust beverage than the more delicate sake brewed from Yamada Nishiki rice.

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Shikoku and Kyushu Area

Kochi Prefecture faces the Pacific Ocean and produces dry, robust sake with a friendly kick, whereas the other three prefectures face the Seto Inland Sea and produce sake with an entirely different character—delicate on the palate, sweet to the taste.
Kyushu is known for a distilled liquor called shochu (awamori in Okinawa). Even so, sake holds its own in this part of Japan, and Fukuoka has many sake breweries. Kumamoto Prefecture is home to the Kumamoto yeast. Much of the sake brewed in Kyushu has a rich, sweet flavor, except for Kumamoto where dryness is favored.

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Before talking about which sake to drink with which food, it should be noted that most sakes will go well with not only Japanese food, but most foods from all over the world. When talking about matching sake with food, sake is often divided into four categories based on fragrance and taste that are Kunshu (薫酒), Soshu (爽酒), Junshu (醇酒), and Jukushu (熟酒).

Fragrant Sake (Kun-shu)

Flavor and Aroma

Kun-shu is sake with a strong fragrance like blossoms and light fresh taste, sharp fruitful flavor, especially common in ginjo and daiginjo sake. Especially it is good as an aperitif. Types vary from sweet to dry.

Food

Kun-shu is best with delicately flavored, light dishes such as white fish, steamed chicken, or citrus dishes. Dishes with flavors that might overpower the sake should generally be avoided.

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Mature Sake (Juku-shu)

Flavor and Aroma

Juku-shu is rich in both flavor and fragrance, and is often found in sakes that have been aged for several years. It is known for its rich golden color, this rare and precious flavor type is enjoyed by sake-experts. In addition to being drank with a meal, it is also good to enjoy leisurely after finishing eating. Koshu (Aged sake) is common in this type. It has a complex and mature aroma of dried fruit and spice, which comes with the combined taste of mellow sweetness and deep sourness.

Food

Because it has a well-expressed taste, it goes well with foods that might overpower other varieties of sake, including duck, lamb, blue cheese, or grilled fish. However, delicate flavors such as sashimi can be overpowered and would be best enjoyed with a different variety of sake.

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Light & Smooth (So-shu)

Flavor and Aroma

So-shu is delicate in both fragrance and flavor, and includes most namazake, as well as some honjozo and junmai sakes. An all-round player loved by everyone due to its clear and dry taste. The soft aroma is light and refreshing, with silk smooth texture.

Food

It goes well with most varieties of food, but is especially good with vegetable dishes or shellfish. However, it generally doesn't go well with greasy food.

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Rich (Jun-shu)

Flavor and Aroma

Jun-shu is full-bodied, but has only a slight fragrance, and is ideal for drinking during a meal. Most junmai sakes fall into this category. It is most traditional type of sake.

Food

Its full bodied flavor and aroma makes it a good complement for beef, creamy soups, strongly flavored chicken, and others. Like Juku-shu, it may overpower lighter dishes.

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Temperatures of Sake

Sake is one of alcohols in the world that are tasted in widest temperature range. Some sake is tasted nicely around 10 °C while the other kind of sake is good around 40 °C. One could be tasted suitably at different temperatures. Different temperatures create different tastes.

Top Warm,
飛切燗/Tobikiri-kan

55°C/131°F
Fragrance is strong. Taste is dry.

Hot Warm, 熱燗/Atsu-kan

50°C/122°F
Strength of fragrance increases; smell of alcohol becomes strong and sweetness disappears; feeling of stimulation is heightened.

Upper Warm, 上燗/Joh-kan

45C/113°F
Fragrance becomes more prominent. Balance of sweetness, acidity and bitterness improve in certain kinds of sakes; flavor becomes stronger.

Warm, ぬる燗/Nuru-kan

40°C/104°F
Fragrance is enhanced. Taste feels deep and complex.

Skin Temperature Warm,
人肌燗/Hitohada-kan

35°C/95°F
Fragrance increases with increase in temperature. Taste feels comparatively sweet.

Sunshine Warm,
日向燗/Hinata-kan

30°C/86°F
Fragrance is brought out. Taste is smooth and fuller yet soft.

Room Temp., 常温/Jo-on

20°C/68°F

Natural sense of flavor and taste inherent in sake can be enjoyed; total effect is mild.

Cool Chill, 涼冷え/Suzu-bie

15°C/59°F
Both of taste and fragrance are well-balanced.

Flower Chill, 花冷え/Hana-bie

10°C/50°F

Fragrance is subtle and the acidity becomes more distinct.

Snow Cill, 雪冷え/Yuki-bie

5°C/41°F
Fragrance is very light and a dry taste becomes prominent.

Methods of Tasting

Japanese breweries and analysis laboratories use a special vessel called a kikichoko, but it is also possible to use a wine glass (Bordeaux style). When using a glass, it is recommended to cover the table with a white cloth to enable the color of the sake to be seen more easily.

Kikichoko is the cup used to taste sake at breweries and analysis. This is a 180 ml white porcelain vessel with two concentric cobalt blue circles on the inside bottom. The white color highlights differences in sake color. If there is turbidity, the edges of the two blue concentric circles become blurred, enabling detection of slight differences in turbidity.

Clarity

Most varieties of sake are clear. Except for nigori-zake and so-called unfiltered sake, which are intended to have a cloudy milky appearance. Any turbidity in bottled sake indicates that it has not been properly filtered. Although not to the same extents wine, sediment may form in bottled sake that has been stored for a long time.

Color

Colorless, transparent sake is filtered using active charcoal to stabilize the quality. This treatment removes impurities and color. Sake that is not treated with active charcoal may retain a pale yellow color .The color of ko-shu, or sake that has been aged for a long time, ranges from gold to dark amber. This color results from the reaction of the sugars and amino acids in the sake. Sake also discolors if it is stored at high temperature or exposed to light for a long period. These conditions also increase undesirable aromas and bitterness, reducing the commercial value of the product. Determining whether there has been quality degradation requires examining the full range of color, aroma and taste attributes.

In wine tasting, the taster first smells the aroma directly from the glass, then swirls the wine to allow contact with air and smells it again. A tulip-shaped wineglass is ideal for this purpose. The sides of a kiki-choko, however, are straight, as the tasting procedure usually does not include swirling. This is probably because retro nasal aroma is more important for sake than orthonasal aroma. For most practical purposes, it is good enough to use the sake aroma profiles based on the names of familiar foods and spices. Quality deficiencies usually show up in the aroma. Therefore it is important to have a good understanding of off-odors.

Fruit – apple, pear, banana, melon, lychee, strawberry, citrus

Ginjo-shu is rich in aromas suggestive of tree fruits, such as apple and pear, or tropical fruits like banana, melon and lychee. It is these aromas that are referred to as ginjo-ka. The element “ka" means aroma. The aroma comes from the esters produced by yeast in the fermentation process and is analogous to the secondary aroma in wine. To make sake with ginjo-ka, it is necessary to use highly polished rice and to employ painstaking care to create the right low-temperaturec onditions for fermentation. This brewing technique is known as ginjo-zukuri.

Spice – clove, cinnamon, fenugreek

Some varieties of koshu (aged sake), or long-aged sake, may have an aroma suggestive of clove, cinnamon or fenugreek.

Nuts

Another type of aroma found in some ko-shu varieties is almond or walnut, while some forms of nama-zake may have a hazelnut aroma.

Grass / green – cedar, green grass, rose

Taru-zake, or sake that has been stored in cedar casks, has a wood aroma, called kiga, which derives from the cedar used in the cask. Some sake varieties have an aroma evocative of green grass or roses.

Cereal

Certain types of junmai-shu have a nice grainy aroma similar to that of the rice from which sake is made out of, and other cereal.

Fungi

Koji has an aroma similar to mushroom. This comes through in certain types of nama-zake and young sake varieties.

Caramel – honey, brown sugar, dry fruits, soy sauce

Sake contains large amounts of amino acids and sugars, so it acquires color and a sweet burned aroma due to the Maillard reaction during aging. This ranges from a honey-like aroma to one resembling soy sauce, brown sugar or dried fruit in the case of ko-shu (aged sake) types that are allowed to age for several years.

Acid – vinegar, yoghurt, butter, cheese

Depending on fermenting conditions, some varieties of sake have an aroma similar to butter or cheese, or a vinegar-like aroma

The first tastes noticed after taking sake into the mouth are sweetness and sourness, followed a little later by bitterness and/or umami, which are most readily sensed at the back of the tongue. Also experienced are the texture attributes of astringency and smoothness. The finish (aftertaste) is experience dafter swallowing or expectorating the sake.

Amakara (amakuchi or karakuchi), 甘辛, sweetness or dryness

The balance of sugars and acids determines whether sake tastes sweet or dry. Increasing the acidity will reduce the sake’s sweet taste even if the amount of sugar remains the same.

Notan (nojun or tanrei), 濃淡, body

The sugar level and acidity also affect the sake’s body. Sake with a high sugar and acid content is regarded as rich or heavy. Amino acids and peptides also contribute and high levels of these result in full-bodied sake. A full-bodied variety may be referred to as having koku or goku (mi). Two Japanese terms used to denote the level of body are tanrei and nojun. Tanrei conveys the notion of “light" as well as “clean" and “sophisticated." Nojun, on the other hand, conveys the meaning of “full (rich)" along with “complex" and “graceful."

Umami, 旨味

Umami refers to “savoriness" or “deliciousness." A key amino acid associated with umami is glutamic acid. Sake is richer in amino acids than wine or beer, and contains a large amount of glutamic acid (Table 1.1). Adding glutamic acid to sake, however, does not boost the sensation of umami. This is probably because the umami of sake derives from a harmonious blend of numerous amino acids and peptides.

Nigami, 苦味, bitternes

Bitterness is not a desirable trait in many varieties of sake, but it is one of the characteristics that give long-aged sake its complexity.

Kime, キメ, smoothness

An appropriate level of aging reduces any roughness or pungency to produce smooth, mellow sake.

Kire, キレ, finish or aftertaste

In high-quality sake, regardless of whether it is sweet or dry, heavy or light, the taste is expected to vanish quickly after it leaves the mouth. This is referred to as kire. Unlike wine, a long finish is not regarded as a desirable characteristic of sake.

Find Your Sake

Name of Sake

i

Regions

Daruma
Fukuoka, Japan
Tokubetsu Junmai
1.8L/$56 720ml/$28
SMV +4
Acidity 1.4
Smokey & Silky
Daruma Masamune
Gifu, Japan
Koshu (aged sake) Junmai
720ml/$150
SMV -14
Acidity na
Velvety & Complex
Eiko Fuji Honkara
'Super Dry'
Yamagata, Japan
Honjozo
720ml/$22
SMV +10
Acidity 1
Dry & Bright
Ginban Banshu 50
Toyama, Japan
Junmai Daiginjo
1.8L/$52 720ml/$25
SMV +4
Acidity 1.3
Clean and Light
Gokyo
'Five Bridges'
Yamaguchi, Japan
Junmai
720ml/$33
SMV +4
Acidity 1.5
Full-Bodied & Savory
Hanahato Kijoushu
'Gorgeous Bird'
Hiroshima, Japan
Kijoshu
500ml/$48
SMV -44
Acidity 3.5
Deep & Sweet
Hiraizumi
'Splashing Spring Water'
Akita, Japan
Yamahai Tokubetsu Junmai
720ml/$45
SMV +4
Acidity 1.6
Crisp & Unique
Hitorimusume
'Only One Daughter'
Ibaraki, Japan
Junmai Nigori
300ml/$13 720ml/$26
SMV +4
Acidity 1.4
Balanced & Soft
Hou Hou Shu
'Bubble Bubble Sake'
Okayama, Japan
Sparkling
300ml/$15
SMV -80
Acidity 5.5
Sparkling & Fruity
Hou Hou Shu Hana
Okayama, Japan
Sparkling
300ml/$16
SMV na
Acidity na
Tangy & Bright
Ichinokura Taru
'Ace Brewery Barrel Sake'
Miyagi, Japan
Taru Junmai
500ml/$28
SMV +2
Acidity 1.4
Thick & Bold
Jokigen
Yamagata, Japan
Junmai Ginjyo
720ml/$28
SMV +4
Acidity na
Fruity & Elegant
Kamoizumi
'Summer Snow'
Hiroshima, Japan
Nigori Junmai Ginjo Genshu (Nama)
300ml/$9 720ml/$16
SMV +2
Acidity 1.6
Creamy & Fruity
Kamoshibito Kuheiji
'Black Brewer's Mark'
Aichi, Japan
Junmai Ginjyo
720ml/$44
SMV +/-0
Acidity 1.6
Plump & Fruity
Kamoshibito Kuheiji
'Red Brewer's Mark'
Aichi, Japan
Junmai Ginjyo
720ml/$41
SMV +3
Acidity 1.6
Fruity & Bright
Kikusui
'Chrysanthemum Water'
Niigata, Japan
Junmai Ginjyo
1.8L/$56 300ml/$11 720ml/$29
SMV +1
Acidity 1.6
Crisp & Clean
Kikusui Funaguchi Jukusei
'Red Can'
Niigata, Japan
Ginjyo
200ml/$6
SMV na
Acidity na
Kokuryu
'Black Dragon'
Fukui, Japan
Junmai Ginjyo
720ml/$34 1.8L/$69
SMV +3
Acidity 1.4
Smooth & Deep
Kudoki Jozu
'Pick-Up Artist'
Yamagata, Japan
Junmai Ginjyo
1.8L/$50 300ml/$12 720ml/$26
SMV +1
Acidity 1.2
Plump & Fruity
Masumi Okuden Kantsukuri
'Mirror of Truth'
Nagano, Japan
Junmai
1.8L/$57 720ml/$28
SMV +3
Acidity 1.6
Smooth & Confident
Mizunoshirabe
'Sound Of Water'
Kyoto, Japan
Ginjyo
720ml/$41
SMV +5
Acidity 1.2
Gentle & Clean
Mu
'Nothingness'
Hyogo, Japan
Junmai Dai-Ginjyo
300ml/$16 720ml/$27
SMV +2
Acidity 1.5
Clean & Smooth
Murai Family Nigori
Aomori, Japan
Nigori Genshu
300ml/$10 720ml/$25
SMV -22
Acidity 2
Bold & Creamy
Namahage
'Devil's Mask'
Akita, Japan
Yamahai Junmai
1.8L/$57 720ml/$27
SMV +17
Acidity 1.7
Dry & Rich
Narutotai Nama Genshu
'Beau-Shu'
Tokushima, Japan
Ginjyo Genshu (Nama)
720ml/$35
SMV +5
Acidity 1.7
Vivacious & Fruity
Ohyama
'Big Mountain'
Yamagata, Japan
Junmai
300ml/$12
SMV +6
Acidity 1.3
Dry & Fruity
Otokoyama
Hokkaido, Japan
Tokubetsu Junmai
1.8L/$57 720ml/$29 300ml/$12
SMV +10
Acidity 1.6
Dry & Rich
Otokoyama
'Man's Mountain'
Hokkaido, Japan
Junmai Dai-Ginjyo
720ml/$138
SMV +5
Acidity 1.3
Velvety & Balanced
Ozeki Hana-Awaka
'Sparkling Flower'
Hyogo, Japan
Sparkling
250ml/$6
SMV -60
Acidity 2.9
Fruity & Light
Ozeki Junmai Taruzake
'Samurai Komatsu Tatewaki'
Hyogo, Japan
Taru Junmai
720ml/$22
SMV +5
Acidity 1.6
Smooth & Cedary
Rihaku
'Dreamy Clouds'
Shinema, Japan
Tokubetsu Junmai Nigori
300ml/$15 720ml/$32
SMV +3
Acidity 1.6
Chewy & Semi-Dry
Sato No Homare
'Pride of the Village'
Ibaraki, Japan
Junmai Ginjyo
720ml/$48
SMV +3
Acidity 1.3
Elegant & Fruity
Sawanoi Hiyaoroshi
Tokyo, Japan
Junmai (Nama)
720ml/$29
SMV 0~+2
Acidity 1.7~1.9
Crisp & Compact
Shirataki Jozen Blue
Nigata, Japan
Junmai Dai-Ginjyo
720ml/$73
SMV +5
Acidity 1.3
Silky & Balanced
Shirataki Jozen Jukusei Pink
Niigata, Japan
Junmai Ginjyo
300ml/$18 720ml/$42
SMV +3
Acidity 1.4
Smooth & Clean
Taiheizan Kimoto
'Grand Mountain'
Akita, Japan
Kimoto Junmai
720ml/$31
SMV +1
Acidity 1.7
Full-Bodied & Smooth
Taisetsu
'Garden of the Divvine'
Hokkaido, Japan
Junmai Ginjyo
720ml/$29
SMV +3
Acidity 1.3
Mineral & Crisp
Tamanohikari
'Brilliant Jade'
Kyoto, Japan
Junmai Dai-Ginjyo
300ml/$15 720ml/$32
SMV +3.5
Acidity 1.7
Rich & Round
Tamanohikari Reishu
'Sake Slush'
Kyoto, Japan
Junmai Ginjyo
300ml/$8
SMV +3
Acidity 1.8
Rich & Clean
Tamanohikari Yamahai
'Divine Light'
Kyoto, Japan
Yamahai Junmai Ginjo
720ml/$21
SMV +1
Acidity 1.7
Big & Full-Bodied
Tsukasabotan Shizuku
'King of Peony'
Kouchi, Japan
Junmai Dai-Ginjyo
720ml/$84
SMV +5
Acidity 1.6
Crisp & Complex
Tsukasabotan Yamayuzu Shiborii
Kouchi, Japan
Yuzu sake
720ml/$29
SMV na
Acidity na
Refreshing & Citrusy
Umenishiki
'Gorgeous Plum'
Ehime, Japan
Junmai Dai-Ginjyo
720ml/$110
SMV +2
Acidity 1.4
Fruity & Full-bodied
Umenishiki Sakehitosuji
'Gorgeous Plum'
Ehime, Japan
Junmai Ginjyo
1.8L/$69 720ml/$37
SMV +1.5
Acidity 1.9
Round & Robust
Urakasumi
'Misty Bay'
Miyagi, Japan
Junmai
1.8L/$72 300ml/$14 720ml/$36
SMV +2
Acidity 1.5
Smooth & Deep
Urakasumi Hiyaoroshi
'Misty Bay'
Miyagi, Japan
Junmai (Nama)
720ml/$35
SMV +1
Acidity 1.5~1.6
Complex & Semi-dry
Wakatake Onigoroshi Hiyaoroshi
'Demon Slayer'
Shizuoka, Japan
Tokubetsu Junmai (Nama)
720ml/$32
SMV +2
Acidity 1.2
Gentle & Clean
Wakatake Onna Nakase
Shizuoka, Japan
Junmai Dai-Ginjyo
720ml/$54
SMV +2
Acidity 1.3
Complex & Full-bodied
Wakatake Onigoroshi
'Demon Slayer'
Shizuoka, Japan
Junmai Dai-Ginjyo
1.8L/$85 720ml/$46 300ml/$19
SMV +/-0
Acidity 1.4
Deep & Silky
Wakatake Onikoroshi
'Demon Slayer'
Shizuoka, Japan
Junmai Ginjyo
1.8L/$61 300ml/$15 720ml/$29
SMV +3
Acidity 1.5
Light & Rich
Yaegaki
'Many Fences'
Hyogo, Japan
Junmai Nigori
300ml/$10 720ml/$19
SMV -12
Acidity 1.3
Creamy & Sweet
Yuki No Bosha
'Cabin in the Snow'
Akita, Japan
Junmai Ginjyo
1.8L/$63 300ml/$18 720ml/$36
SMV +1
Acidity 1.9
Fruity & Round
Yuki No Bosha Yamahai
'Cabin in the Snow'
Akita, Japan
Junmai
720ml/$30
SMV +1
Acidity 1.9
Balanced & Complex
Yuzu Omoi
Kyoto, Japan
Yuzu sake
500ml/$27
SMV na
Acidity na
Refreshing & Citrusy